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Lil Wayne Fires Back at Kendrick Lamar’s ‘Wacced Out Murals’ Lyric: A Hip-Hop Feud Unfolds
The world of hip-hop thrives on competition, lyrical sparring, and the occasional public dispute between titans of the genre. The latest tension in rap’s never-ending chess game? A brewing rivalry between two generational greats: Lil Wayne and Kendrick Lamar. Wayne recently addressed Kendrick’s mention of him on the track “Wacced Out Murals” from Lamar’s surprise project GNX, hinting at his displeasure while reinforcing his status as an untouchable force in rap.
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This confrontation comes at a time when both artists are dominating their respective lanes—Wayne, a seasoned legend with an untouchable legacy, and Lamar, a modern-day poet pushing artistic boundaries. But what’s really fueling this tension? And does it go deeper than just a few bars on a track? Let’s break down the layers of this rap drama.
Kendrick Lamar’s GNX and the Controversial ‘Wacced Out Murals’ Lyric
On November 22, Kendrick Lamar shocked the hip-hop world with the unexpected release of GNX, an 11-track album that showcased his signature wordplay and complex storytelling. Produced with the help of Jack Antonoff—best known for his work with Taylor Swift—the album delves into various themes, including industry politics, personal triumphs, and veiled (or not-so-veiled) shots at fellow rappers.
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One track that stood out for all the wrong reasons—at least from Lil Wayne’s perspective—was Wacced Out Murals. In it, Lamar makes a clear reference to Wayne, rapping:
“I used to bump Tha Carter III, had my Rollie in the sky / Funny how my grind made Lil Wayne sigh.”
And later:
“Took the Super Bowl, and Nas the only one congratulating me / All these dudes mad; at least I can see it on their faces.”
This wasn’t just a passing name-drop. It appeared to touch on two things: Wayne’s influence on Kendrick’s early career, and a subtle dig at the idea that Wayne may have felt slighted by Lamar’s recent achievements—particularly his selection as the Super Bowl LIX halftime show performer.
Lil Wayne’s Reaction: A Warning or a Declaration of War?
Wayne wasted no time in responding. On November 23, the day after GNX dropped, he took to X (formerly Twitter) with a cryptic yet ominous message:
“Oh wow, what did I do?! I’m just chilling, and they’re still thinking about me. Don’t mistake kindness for weakness. Let this giant sleep. I beg y’all. No one really wants destruction, not even me. But I will destroy if disturbed. Love.”
The statement was vintage Wayne—both playful and menacing, poetic yet direct. It suggested that he wasn’t interested in starting a full-fledged rap beef but was also making it clear that he wasn’t one to be toyed with. This is the same Lil Wayne who, during his peak, delivered some of the most memorable diss tracks in rap history. If pushed, he could respond with something far more potent than a tweet.
The Super Bowl Snub: The Root of the Frustration?
Beyond just a rap lyric, many believe Wayne’s frustration with Lamar stems from a bigger issue: the Super Bowl LIX halftime show.
Wayne, a native of New Orleans, was seen as the obvious choice to headline the event in his hometown. Yet, the honor was instead given to Kendrick Lamar, a decision that was met with mixed reactions.
During his annual Weezyana Fest, an emotional Wayne addressed his fans, expressing his disappointment:
“They took that from me,” Wayne told the crowd, referring to the Super Bowl slot. “I worked my whole life for that spot… but this moment right here? They can’t take this.”
Nicki Minaj and Birdman, longtime affiliates of Wayne’s Young Money/Cash Money collective, were vocal in their disapproval of Lamar’s selection over Wayne. Meanwhile, artists like Rihanna defended the decision, calling Kendrick’s performance “destined” and “a moment for the culture.”
Kendrick Lamar: The Master of Subtle Disrespect
For those who have followed Kendrick’s career, this kind of lyrical jab isn’t surprising. While he doesn’t engage in direct rap beefs often, he’s a master at throwing subliminals. His infamous Control verse in 2013—where he called out nearly every major rapper of his era—set a precedent for his competitive nature.
Wayne, however, isn’t just another name to check off a list. He’s a rap deity, someone who paved the way for a new generation, including Kendrick himself. This makes the tension between them even more compelling. Was Kendrick simply acknowledging Wayne’s influence? Or was he positioning himself as the superior artist in this generational battle?
Does This Mean an All-Out Rap War?
As of now, no diss tracks have been exchanged. But hip-hop history tells us that moments like these can escalate quickly. Let’s not forget that Wayne is no stranger to feuds, having been involved in lyrical battles with Pusha T, Jay-Z, and even Young Thug in the past.
Kendrick, too, is currently engaged in a cold war with Drake, with both artists reportedly preparing responses behind the scenes. If Wayne decides to retaliate, we could see one of the most exciting rap rivalries in years—one that bridges the gap between two generations of hip-hop excellence.
What’s Next?
With both artists remaining relatively silent since their initial statements, fans are left wondering: Will Wayne respond with a diss track? Or will Kendrick keep pushing boundaries with more veiled shots?
One thing is for sure—this isn’t just about rap. It’s about legacy, respect, and the inevitable generational shift in hip-hop. Whether this feud remains a simmering tension or boils over into an all-out war, it’s already solidified itself as one of the most intriguing moments in hip-hop this year.
For now, the ball is in Wayne’s court. If he decides to play, hip-hop fans could be in for an unforgettable showdown.
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