Mystery: An Actress Who Looks Unbelievably Like Margot Robbie

Samara Weaving has often drawn comparisons to Margot Robbie, and not just because of their striking resemblance. Both actresses were born in Australia just two years apart and launched their careers on local soap operas before moving to Hollywood. However, as their careers evolve, it’s becoming increasingly clear that Samara Weaving is carving out a path entirely her own—one filled with blood-soaked horror, dark comedies, and intense action that separates her from Robbie’s more polished, blockbuster-focused trajectory.

The resemblance may have reached its peak in Damien Chazelle’s Babylon (2022), where Weaving played an actress overshadowed—fittingly—by Robbie’s character. But beyond that tongue-in-cheek casting, Samara Weaving has proven she’s not merely a lookalike. She’s a performer with unique range, undeniable charisma, and a willingness to take on roles that few other leading women in Hollywood dare to embrace.

A Scream Queen with Substance

Weaving has fully leaned into the role of a modern scream queen, but that shouldn’t be viewed as limiting. In fact, the title comes with prestige these days, especially considering the renaissance of the horror genre. With critically acclaimed performances in films like Ready or Not and The Babysitter, she’s become a reliable face for high-octane, blood-soaked storytelling.

Ready or Not, in particular, was a breakthrough for Weaving. Her portrayal of a bride hunted by her in-laws turned her into a genre icon. The film was a surprise box office success, and a sequel is reportedly on the way. In contrast to the image of Margot Robbie—often associated with big-budget franchises and glamorous roles—Samara Weaving thrives in the chaos of genre films. Covered in blood, screaming through the night, or darting through forests, she makes it look compelling and believable.

Azrael and the Art of Minimalism in Horror

In 2025, one of Weaving’s most interesting projects has been Azrael, a stripped-down action-horror movie that distills her essence as an actress. With few characters, minimal dialogue, and buckets of stage blood, Azrael proves that Samara Weaving can carry a film almost entirely on her presence alone.

Her performance in Azrael is raw, intense, and physical. This is not the polished energy of a Barbie doll or a comic-book antiheroine. It’s gritty, grounded, and entirely hers. While Margot Robbie may portray pop culture icons, Weaving becomes a part of the horror mythology.

Eenie Meanie: A High-Speed Misfire

Weaving’s most recent release, Eenie Meanie, is a chaotic blend of crime drama and action-thriller. The concept has potential: Edie Meanie, a former getaway driver turned reluctant antihero, is dragged back into the criminal world to perform one last heist. The plot involves stealing a car from a casino that’s part of a high-stakes poker event—a gimmicky setup made more interesting by Weaving’s high-octane energy.

Unfortunately, Eenie Meanie suffers from overwriting and underdeveloped character arcs. Screenwriterly flourishes try to be clever, but the result is uneven and tonally confused. The script indulges in faux-profundities and stylized profanity but lacks the wit of the Tarantino or Elmore Leonard crime thrillers it mimics.

Still, Weaving brings undeniable charisma to the role. With her angular features, expressive eyes, and a sort of feral determination, she makes even the clunkiest lines feel compelling. In Eenie Meanie, she sports two-tone hair and delivers a gritty accent that blends nicely with the high-stakes, high-speed setting. Even if the film falters, Samara Weaving never does.

Borderline: A Misused Talent in a Thin Script

Another 2025 release, Borderline, casts Weaving as a ’90s pop star being stalked by a crazed fan, played by Ray Nicholson. The movie was directed by Weaving’s real-life husband, Jimmy Warden, and unfortunately suffers from an identity crisis. It’s too undercooked for horror, too fragmented for suspense, and too shallow to function as a character study.

Still, Weaving gives it her all. Whether she’s doused in blood again or flashing a haunted stare at the camera, she remains the movie’s only consistent highlight. Unfortunately, it’s yet another example of a film relying too heavily on her magnetic screen presence without offering enough depth in return.

Samara Weaving vs. Margot Robbie: Two Very Different Paths

While the internet loves to pit Samara Weaving and Margot Robbie against each other visually, their careers have taken dramatically different shapes. Robbie, with hits like Barbie, Birds of Prey, and Once Upon a Time in Hollywood, has become a global superstar, embodying characters with complex emotional arcs wrapped in blockbuster packaging.

Weaving, on the other hand, is not afraid to go grittier. Her characters bleed, scream, and fight for survival. She brings an edge, a wild unpredictability that’s often missing in today’s overly refined leading ladies. In fact, the very comparison between Weaving and Robbie serves to highlight just how different their acting styles are.

Where Robbie might play a doll, Weaving plays someone who’d smash that doll in a fit of survivalist rage.

Hollywood’s Overreliance on Weaving’s Star Power

In recent roles, some filmmakers appear to assume that Samara Weaving can elevate weak scripts simply through her charisma. That’s both a compliment and a concern. While she certainly has the star power to carry a movie, it’s important that she’s given material worthy of her talents.

Movies like Azrael succeed because they’re built around her strengths. Films like Eenie Meanie and Borderline falter when they expect her to compensate for weak storytelling with sheer energy alone. That’s a dangerous precedent—one that could stall her momentum if she’s not selective about her future roles.

The Future of Samara Weaving

Looking ahead, the potential for Samara Weaving to become a defining figure in modern genre cinema is undeniable. With the sequel to Ready or Not on the way and more directors recognizing her versatility, she’s on the cusp of broader recognition. However, it’s essential that she’s given projects that allow her to thrive—not just survive.

Samara Weaving is not just a Margot Robbie lookalike. She’s an actress of genuine talent, capable of balancing horror, action, and dark comedy with finesse. The industry would be wise to recognize that she doesn’t need to be a second version of anyone—least of all someone she already looks like.

Time to Step Into the Spotlight

Samara Weaving has spent enough time being compared to other stars. Her performances, from the blood-soaked battles of Ready or Not to the eerie silence of Azrael, have established her as a formidable force in genre cinema. As she continues to evolve, it’s clear that she’s not chasing after stardom the way others might. Instead, she’s building something more unique—and more lasting.

Whether she’s running through a haunted forest, driving through a casino, or staring down danger with blood on her face and fire in her eyes, Samara Weaving is here to prove that resemblance doesn’t equal replacement.

She’s not the next Margot Robbie.

She’s the first—and only—Samara Weaving.