Kendrick Lamar portrays the victim in a similar way to Taylor Swift in their feud with Andrew Schulz

Comedian Andrew Schulz has been vocal about his ongoing issues with Kendrick Lamar, drawing parallels between the rapper’s behavior and that of pop star Taylor Swift. In a recent episode of The Brilliant Idiots podcast, Schulz claimed that Lamar, much like Swift, portrays himself as a victim despite his massive success. This comparison has sparked interest as fans continue to dissect the feud and its larger implications.

Andrew Schulz Accuses Kendrick Lamar of Playing the Victim

The latest chapter in the Schulz-Lamar drama unfolded on December 14, 2024, when Andrew Schulz and cohost Charlamagne Tha God discussed their views on Kendrick Lamar’s public persona. Schulz, who has a history of controversy for his sharp and often abrasive humor, suggested that Lamar’s behavior was reminiscent of Taylor Swift’s victim narrative. “Kendrick really is the Taylor Swift of hip-hop,” Schulz declared, pointing out how both artists seemingly turn any criticism into a reason to portray themselves as victims. He added, “No matter what Kendrick does, he’s still the victim—just like Taylor, no matter how successful she becomes, she’s always the victim.” Schulz’s remarks resonated with many listeners who noticed the similarities between how both celebrities navigate public relations and personal disputes.

The Origins of the Feud

At the heart of this feud is Kendrick Lamar’s recent song “Wacced Out Morals,” where many listeners believe Lamar referenced Schulz in a disapproving manner. On the track, Kendrick raps, “Don’t let no White comedian talk about no Black woman, that’s law.” This lyric seemed to be aimed at Schulz, who had made controversial remarks about Black women on the Flagrant podcast in September. Specifically, Schulz joked about men dating Black women, saying that they often shaved their heads due to stress. These comments caused a significant backlash, with many interpreting them as offensive and racially insensitive.

Lamar’s diss was seen by many as a response to Schulz’s previous remarks. However, things escalated further when Kendrick’s fans took to social media, issuing death threats against Schulz and his family, including his 8-month-old daughter. For Schulz, this was the turning point that pushed him to respond, stating on his podcast that he would retaliate with sexual remarks about Kendrick Lamar, which he later clarified in the December episode.

A War of Words: Schulz’s Retaliation

Schulz’s response to Lamar’s fans and the threats he received was swift and pointed. He expressed frustration, asking how Kendrick’s supporters could justify threatening his family while condemning his own retaliatory remarks. “How could you say that? Oh my God, you can’t go there, you can’t take it there,” Schulz said, referencing the backlash he received for his bold statement. “But I thought y’all took it there when you said you’re going to kill my daughter.”

Schulz continued to argue that while Lamar’s fans felt justified in their actions, he had every right to defend himself. The comedian also revealed that Kendrick’s team reached out to Charlamagne Tha God to “clarify” the situation, further complicating the narrative and highlighting the tensions between the two parties.

The Taylor Swift Parallel: Victimhood in the Spotlight

Schulz’s comparison of Kendrick Lamar to Taylor Swift adds an intriguing layer to the feud. Both Lamar and Swift are undoubtedly powerful figures in their respective industries, yet they continue to find themselves at the center of public controversies. Taylor Swift has often been criticized for portraying herself as a victim despite her global success, from her disputes with music executives to her high-profile relationships. Similarly, Kendrick Lamar’s handling of public scrutiny and criticism raises questions about how he chooses to position himself in the eyes of his fans and the public.

While it’s clear that Lamar and Schulz’s conflict is rooted in specific incidents, the broader conversation about victimhood in celebrity culture has sparked intense debate. Many people wonder if, like Taylor Swift, Kendrick is strategically embracing the role of a victim to garner sympathy and reinforce his artistic integrity.

A Feud That Reflects Larger Patterns

As the feud between Kendrick Lamar and Andrew Schulz continues to unfold, the comparison to Taylor Swift’s public image remains a provocative lens through which fans and critics alike are examining their behavior. Whether or not Lamar is consciously playing the victim, his response to Schulz’s remarks has undeniably shifted public perception. What began as a verbal altercation has now become a deeper conversation about the nature of fame, victimhood, and how celebrities navigate controversy. In the end, this beef not only reflects the personalities of the two men involved but also underscores the broader cultural dynamics surrounding